At this moment I’ve got the truck loaded up and I’m on my way to my first drumming gig in a very, very long time.
I feel like I should be nervous, but for some reason I’m not. This band got together in the last week of April and we’ve had 8 or 9 rehearsals so we’re not exactly a well oiled machine, but I think we can at least pull it off without any full-on train wrecks on stage. It’s our first time out, so who knows what will happen?!? I haven’t set foot in this club in a decade (the Quarternote in Sunnyvale, CA) and I NEVER played there before… Fingers crossed!
We’re the 2nd band of the night, playing from 10pm til Midnight and honestly my biggest concern is staying awake… I was up at 5.30am and working in 90 degree heat outside all day has got me more than a little bit whooped!
Off the bat, I’ll say I was never really a big fan of Sammy Hagar during his heyday. And frankly when it was announced that he was replacing Diamond Dave in Van Halen, I was outraged and assumed that would be the end of Van Halen. However, despite my strong bias against Sammy fronting one of my favorite bands of all time, I freely admit that the “Van Hagar” era put out some great music.
In reality, my musical relationship with Sammy was complicated… the very first song I ever learned to play on the drumset was ‘Rock Candy’ by Montrose – a band fronted by Sammy Hagar (I was still in elementary school when I got turned on to Montrose, I wouldn’t make the connection with Sammy until years later!). In middle school, I was a big fan of the Heavy Metal soundtrack album, to which Sammy contributed the title track. My favorite Rick Springfield song – ‘I’ve Done Everything for You’ – during that same era, I found out decades later was written by Sammy… I was generally luke warm toward his solo music, although I LOVED ‘I’ll Fall in Love Again’. Then a bit later came his huge hit song ‘I Can’t Drive 55’ which I HATED… Then when he joined VH, it took me a while to get over the “betrayal” and actually listen… And while it will never match the David Lee Roth era to my ears, I cannot deny there were some great songs put out with Sammy and the VH crew.
Much to my surprise over the last few years I found myself becoming a fan of Sammy Hagar, the MAN, through interviews and his TV show, and the more I learned about him I realized a deep respect for him and his history, his work ethic and his overall outlook on life. So when I found out he was going on a summer tour, I decided I needed to take it in. I was NOT disappointed in this decision!
For starters, he assembled a world class, stellar band: Van Halen alumnus Michael Anthony on bass and vocals. Jason Bonham, son of Led Zeppelin drummer John Bonham, on drums. And guitar hero, The Alien himself, Joe Satriani on guitar! Keyboardist Rai Thistlethwayte rounded out the lineup. And let me say, these fellas were on top of their game!
What a band!
Their set was heavily skewed toward Van Halen songs – both the Sammy era songs AND the Diamond Dave songs, but there was also a smattering of solo Sammy songs as well as some Montrose and Chickenfoot (another Sammy off-shoot band) songs and it was a fantastic show!
They played for over two hours straight (no encore, I think they hit the time limit for the venue!) and it was high energy and spectacular musicianship the ENTIRE TIME! They never let up, it was remarkable!
Sammy himself was in great form – he outperforms musicians half his age! Jason was great on the kit – a huge Alex Van Halen-type of setup, which is not his usual thing. He beat that thing like it owed him money and was rock solid for the entire set. And while honestly the drums were a bit ‘muddy’ in the mix, the snare sounded almost exactly like Alex’s very distinct snare tone! Alex was one of my biggest influences as a drummer growing up and sadly I never got a chance to see him live, but this was dang near as exciting!
The cherry on top of the experience was witnessing Joe Satriani do his thing. His playing was beyond exceptional! It’s no wonder he’s a living legend on the guitar! He played Eddie’s parts nearly note-for-note, and the only times he strayed, he just added his own little flavor, nothing diminished whatsoever from the original. His performance alone was worth the price of admission and I’m really glad I finally got the opportunity to see him in a live setting. It was not something I’ll soon forget.
All in all, it was a fantastic night. I don’t know that I had any true expectations for this show, but whatever they may have been, Sammy and his boys far surpassed them. Some of the best musicianship I’ve seen in quite some time. I wouldn’t hesitate to see him again, and if you have the chance I highly recommend this show!
Despite the fact that I was born in the 60’s, fell in love with music in the 70’s only to become wildly obsessed with music in the 80’s, there were a lot of really original, talented bands in the 90’s that I really dug. There was a ton of crap too, don’t get me wrong. Boy Bands, anyone?
We were fortunate to have one of the earlier “alternative” stations in the Bay Area – the Quake, and then Live 105, but these guys below were all getting the love from college radio first. Ahh, the good old, pre-internet, music discovery days!
Today’s flashback is dedicated to the wild, untamed, bands of the 90’s that continued to blaze new trails in Rock & Roll!
The first song I ever heard from 311 and it knocked me out! Saw them live for the first time touring for the follow up album and I’m still a fan!
These guys got a lot of grief in the press, but if you ask me this was a great song from a great album. Their biggest hit was nothing like the rest of the record, and their one “Pop Hit” bought them a lot of undeserved slagging.
Ok, technically this was released in ’89, but the 90’s were all about NIN. This is where it all started.
I was lucky enough to know Primus as just another local band trying to make a name for themselves and saw many a live show before they blew up! Incredible live shows, off the charts musicianship!
Another local band I used to see all the time – sometimes WITH Primus! Pure energy, stellar playing, non stop groove. They should have been huge. The world wasn’t ready…
These guys were really unique. Another cool Bay Area band. The Skin album is very eclectic, but chock full of great songs. Rented my drum kit as backline equipment to them for one of their gigs in Palo Alto back in the day… Got a major label record deal but sadly never really caught on.
Today is the last day at my music studio, and I’m taking it a little harder than I thought I would.
It was always a dream of mine to have “my own” place to play, whenever I wanted, as loud as I wanted and for as long as I wanted, and finally I got to make that dream a reality a little over a year ago. Fourteen months, to be precise.
As a drummer, it’s a lot more difficult to practice, than say for a guitarist or pianist. When I lived in my childhood home, I got pushed out of my bedroom into the garage because it was just too loud for my mom to deal with. But even in the garage – and I’m talking old-school garage, no insulation, no drywall, nothing – I could only go about half an hour before Mom had had enough… Plus you’d freeze in the winter and have a heat stroke in the summer. Not a great situation. When I played in bands through my teens and 20’s, I was always at somebody else’s house or an hourly rental rehearsal space, where you spent half your (paid for) time setting up and tearing down your gear. Then we finally got a house, but also had a baby. Then we had to move into an upstairs apartment, the drums went into storage, and were unfortunately stolen shortly thereafter. So, it’s been a tough run as a drummer.
But as it turned out, the dream was better than the reality. Sort of. I mean, yes, I got to keep my gear in one place, completely set up so I could just walk in and be playing in less than 60 seconds. THAT was awesome! And if it was 6am or 10pm, it didn’t matter. Having no one to complain is a gift that you cannot understand if you’ve not had the cops pounding down your door cuz the neighbors complained.
ALL the toys!
Don’t get me wrong, I had some good times there, but there was a little aggravation too. There were 40-50 studio spots in the building, the insulation was poor at best, so when 3 or 4 bands would be crankin’ it out simultaneously, the cacaphony would drive me nuts. For a while there was a Tejano group across the hall, with non-stop AMPLIFIED accordian playing. I hated the accordian BEFORE then, now the sound of it completely puts me on edge. A bunch of times the heat or A/C wasn’t working, there would be NO parking for blocks around (and it’s not the kind of neighborhood you wanna walk half a dozen blocks in the middle of the night, if you catch my drift), then the roof started leaking…though thankfully none of my gear got soaked.
But honestly, the worst part of the whole thing is I simply couldn’t find other musicians to join in the fun. I had a writing partner when I first got the space, but his other project took off, he went on tour for 6 months or so, and I spent the last 8 months trying to recruit other players, to no avail. I don’t care what anyone says, finding like-minded musicians to play with in middle age is 110% harder than when you’re a teen or young adult just starting out. Everyone has “real” jobs, spouses, kids, responsibilities… and the middle-aged folks that don’t have that? They’re worse! You find out very quickly why they don’t have any adult stuff in their life…
Bought a sweet bass rig to make life easy…too bad I never found a bassist!It’s no Marshall, but boy can she sing!
Now, I LOVE playing the drums – as part of an ensemble. Playing drums with no other musicians gets stale and boring after a while. (I’ve always HATED drum solos!) Boredom led to a lack of motivation. Lack of motivation got me making excuses to not go as my savings account burned to the ground paying for a space I was barely using.
And here we are…
On the bright side, I got my MOJO back as a drummer. I’m not at 100% of where I was when I was say, early 20’s, but I was playing about 20-30 hours a week back then, and had essentially no other real responsibilities so my skill level was off the charts. But I do feel like a real drummer again, and that has been good for the soul. I was also able to do a lot of experimenting with different set ups of my kit, which is something I’d never do when I’m paying by the hour for a rehearsal spot. And it’s not like I’m gonna stop playing altogether, I’ll just be going back to my alternate methods for a while. I got my first snare drum at 7 years old. Now I’m 55, and while there have certainly been ebbs and flows over the years, I’ve never stopped playing. I see no reason to stop now. It’s part of my DNA I suppose…
Back to Basics
I still have “The Dream” of my own space. I just know now that this wasn’t the right place for me at this time. I’m grateful I took the leap, I’m grateful for the lessons learned and I’m grateful for this not becoming yet another “I wish I would have…” event in my life. Yes, it’s been a very expensive lesson, but I consider it worthwhile. You don’t know what you don’t know, right? Now I know.
So now I’ll be retreating to the spare bedroom, and setting up shop in there to see what, if any, new things I can learn with all the gear I’ve acquired over the last couple years. I’ve got electric drum stuff, samplers and keyboards, guitars and basses that have not been getting much love. Now the amps and the PA and the giant acoustic drum kit are stuffed back into a storage unit (NOT the same place that was burglarized all those years ago!) and it’s time to move on outside of my comfort zone to see what kind of magic I can pull outta my hat! Honestly, even after all these years, I’m intimidated by electronics – back in the 80’s when all that stuff was new and thrilling I tried my hand at programming sequencers and drum machines and…well, let’s just say there is a reason why drums, good old fashioned acoustic drums, are still my main instrument! Hopefully, like with computers, the machines are more intuitive and user friendly than when they were new, cutting edge technology. We shall see. Either I figure it all out and make some cool new music, or I’m gonna have one hell of a yard sale!!
A kit like this ain’t for everyone, but I do love having that many different voices to choose from!That’s all she wrote…One last walk…
Sunday night was our 4th time seeing Dogstar live in the last 12 months (give or take a week or so…). This time they were at the Great American Music Hall, which is a great venue, and highly recommended.
I’ve written about all their past shows here, and honestly nothing much has changed with Dogstar. My earlier prediction that Bret’s guitar playing would be on fire by the end of the tour has come to pass and they’ve still got a few weeks to go. I’ve known Bret for 40+ years and played in numerous bands with him, as well as followed his other projects over the years and I can say with absolute confidence that last night was some of the best guitar work I’ve ever seen from him! His playing brought me a lot of joy, seeing him come so far. And there was a really special (to me) moment during the show when Bret talked about growing up in San Jose and this being a “home” show, and how he and his friend “who’s here tonight in the audience” used to play clubs on Broadway in SF, and that’s where it all started… Anyway, it was maybe a little sappy to the rest of the audience, but to me and the Mrs. it was special for him to acknowledge our history. Thanks brother!
The set wasn’t much different than the last few shows, though they did throw in an oldie or two as well as a couple new songs not yet recorded… Overall though, it was another strong showing. It’s a shame more people pay attention to the bass player than the actual music happening on stage, but I’m still very happy for their success on this tour and their great new record.
The real shock of the night and a most pleasant surprise was the opening act, The Trims, from San Jose, my (sorta) home town.
I had never heard of the band, but a cursory search told me they’d been around for several years and are getting some traction on our local “Alt Rock” radio station, Live 105. Their sound had a stellar vintage ’80’s New Wave feel, like The Cure and the Damned, sorta dark and moody, but at the same time had some really punchy, upbeat parts. I really, REALLY liked this band and look forward to seeing them again. They were super enthusiastic and energetic on stage, particularly their lead guitarist Tito – he was unbelievably entertaining to watch and simultaneously he just kept whipping out killer guitar parts! It was an extremely fun set to see!
I spoke briefly with Tito backstage after the show and as it turns out, the band has their rehearsal studio in the same building I have my rehearsal studio! Its a small world my friends, a small world! I also had a passing moment with their bassist (who’s name I didnt catch unfortunately) and let him know how much I loved their set, to which he replied “Tell Keanu!”… Well, I had talked to Keanu earlier in the evening and didn’t see him again, so Keanu if you’re reading this, The Trims were AWESOME and you should definitely consider them for opening slots down the road!
Well friends, that about wraps up this review. We’ll be seeing Dogstar AGAIN in about 3 weeks, and that should be a wrap on this year’s tour, but we already have tickets for several shows coming up in 2024, so don’t fret I’ll be back to writing about other bands before you know it!
Thanks Dogstar and the GAMH Staff and last but not least The Trims for an excellent night of music!
Wednesday night found us back at the Guild Theater for another Dogstar show, our 3rd time seeing them in the last year.
We were excited to get back to the Guild, and it was the first time for the Mrs. to see a show there. The Guild Theater is quickly becoming our favorite Bay Area venue! Great staff, great sound, great vibe…just an outstanding place for live music.
The opening band was a 4-piece outfit by the name of Archer Oh.
First time seeing them (or hearing of them for that matter!) and they knocked it out of the park! Their sound was sort of a mash-up of the Smiths and the Strokes, with a touch of surf and a hint of psychedelia thrown in the mix. Altogether unique. The performance was excellent- fresh, exciting and wholly unexpected. By the time the set was over, we were fans. So much so we stopped by the merch table and bought both their CDs. I will ABSOLUTELY go see them again, given the chance!
Supporting the Arts!
Dogstar hit the stage and was immediately beset with equipment troubles from the guitar rig, so they got off to a bit of a rocky start. The tech was able to get things running quickly however and they were off and running, playing essentially their new album in its entirety, with an old tune and a new song thrown in for good measure.
As per usual, most if the attention was focused on the bassist Keanu (who did a great job, to his credit!) but it was guitarist/vocalist Bret Domrose that really carried the show. In spite of the initial gear wonkiness, he had an extremely strong performance. His guitar playing has only gotten stronger since the “record release” party back in December. I can only imagine his playing will be off the hook by the end of this tour with another 30 or so shows under his belt.
Some guy everyone was excited about…
Aside from his mother, I’m probably Bret’s biggest fan, and it was really exciting to see him coming back to life on stage and doing his thing at such a high level. That is was at a “hometown” show made it all the more special.
The guy I was there to see!
Overall the band seems to have settled in and are getting comfortable with each other again after such a long hiatus. I would have LOVED to hear some of the songs from “Our Little Visionary” – a criminally underrated album – but I’m finding I really like the new songs. They show a lot of growth in the songwriting and the overall performance. I’ve got my order in for the new record when it comes out on October 6th, can’t wait to really dig in to it!
Overall it was a fantastic night. Great music, great, fun vibe in the hall, just an exceptional experience all around.
Thanks Archer Oh and Dogstar for an excellent night of music and some inspiration as well! We’ll see you again in December!
Monday night brought us back to the historic Warfield Theater in San Francisco for the much anticipated Grandson and K.Flay show. This was the Mrs.’ “birthday” show and we’ve been sitting on the tickets for months, so the excitement levels were off the charts and it turned out to be an awesome night!
Opening act Jack Kays was already on stage when we got to our seats and he was OK. Nothing surprising or spectacular, but solid. I wasn’t familiar with his work and what I heard gave me an early 00’s “Emo” vibe. Not really my thing, but I’ve certainly heard worse. At the very least he seemed to be engaging and enjoying himself.
Next up was K.Flay. All I can say is WOW! She came out swinging and delivered an amazing, high energy set that was just off the charts. Her band was outstanding; energetic, technical prowess and just great tone. Her guitarist, who’s name I just couldn’t catch unfortunately, was OUTSTANDING. Really a top-notch, stellar performance. These guys, and K.Flay herself earned my highest regards. This was our 3rd time seeing her show, and it just keeps getting better!!
Grandson’s set was a mixed bag to be honest. Jordan (who essentially IS grandson) was great. He is so enigmatic and enthusiastic it’s impossible to NOT dig what he’s doing. He’s a little creepy and comes off as a little dangerous, but in the best possible way. His performance was certainly as strong as ever before, but the song selection for the set was a bit lacking. And if I’m being perfectly honest, his band was not up to the level we’ve come to expect. His guitar player was good, really good even. But not great. The bass player has been replaced by backing tracks, and the lack of real, interactive bass was noticeable. And his new drummer… I’m not saying he was bad – quite the contrary. He was actually extremely proficient and had chops for days, but he was NOT the right drummer for this band. Yes, I’m highly biased and critical of drummers – 45 years behind the kit will do thst to a guy. Now, I don’t know who this guy is, but I kept hearing gospel drumming throughout the set. Don’t get me wrong, gospel drummers are some of the hottest guys out there, it just didn’t work for me in the context of Grandson. Overall though, it was still a great set.
In the end I’d have to say that K. Flay stole the show, but it was a great night of high energy and excellent musicianship. If you ever have the opportunity, I highly recommend both artists!
If you’ve been reading my stuff for a while, you may have noticed the vast majority of concert reviews come from nightclubs and theaters, not arenas and coliseum events. I’ll make exceptions occasionally, but big events are really not my thing. However, today was one of those exceptions and we traveled north to Napa for Day 2 of the annual Bottle Rock Festival. The festival is a 3 day affair – if you’re a glutton for punishment and have a LOT of extra dough lying around you can make a long weekend of it and watch an absurd amount of bands play.
Sensory overload is the best way to describe the day. There were SO. MANY. PEOPLE. It was rather overwhelming. That being said, we did see a lot of good musicians ply their trade, and though it was crowded as anything I’ve ever witnessed, the patrons and staff were pretty well behaved. Lines moved quickly, no scuffles broke out (that we witnessed, anyway) and all in all it was a really fun day.
East Forest was the first act we caught. Very electro. Spacey, background music is how I’d describe it. Not exactly suited for a live show, especially outdoors, at noon no less. But hey, it was background music for us while we got ourselves oriented to the venue and figured out where we needed to be and when.
Paris Jackson was not someone we planned to watch, but we happened upon her set while we were getting some food and libations, and I was SHOCKED by how good she was. I expected the daughter of the “King of Pop”, would be nothing but fluff, but to my surprise she and her band were rocking, with Paris herself digging in on guitar as well as vocals. It was a pleasant surprise and I’ll definitely be looking into her discography.
Lupe Fiasco was the next set we saw. He was high energy and had a great vibe. He was funny, and had a lot of audience interaction, and he really poured it out for us, delivering a great set to an enthusiastic croud. It was a groovy good time, for sure. Would recommend his show if you have the opportunity.
Lupe Fiasco
Next in the agenda was Dogstar, the whole reason we went to this festival. Yes, Im highly biased. Regular readers may recall that the the guitarist/vocalist of Dogstar, Bret Domrose, is my best friend going back decades. I was the drummer in his first several bands and we cut our teeth together on the Bay Area club circuit back in the 80’s and 90’s before his career took off. This was the first-time Dogstar played to a big audience is a VERY long time, and you could tell they were having a good time with it. The crowd reaction was solid, but a little slow to respond at first. By the mid point of the set they had really picked up steam and finished really strong. It was a great set and I couldn’t be happier for those guys, hitting it again after a decade’s long hiatus.
Bret Domrose Some other guy on bass… Looks familiar.
Cautious Clay was the next artist we checked out. I didn’t know but one song from him prior to today, but he have us an impressive set too. His band was slamming, and he himself busted out the sax and guitar (a LEFTY no less!) which I had no idea he played. He definitely earned my respect with his performance today!
Cautious Clay
Tove Lo was the last act for us for the day. She was playful and sexy and obviously having a great time. Her band was solid and the performance was strong, but it was also very “programmed”, using backing tracks and loops and whatnot, that kinda takes away from the magic of live music. But I’ll give her props for her set. She’s clearly a professional and the set was flawless, if not electric with the musicians stepping out and adding some spice to the original compositions. I don’t think I’d go out of my way to see her again, but I wouldn’t be purposely late if she was opening for another show I was going to either.
Tove Lo
The main headlining acts were Duran Duran and Lizzo, both playing different stages with overlapping times. The four of us were going to split up to see our preferred artists, but in the end we were all kinda wiped out after Tove Lo, and we decided to call it a day and head home.
All in all it was a great day. Expensive as all get out, but still a great day. Beautiful weather, great food and drink, fantastic music from a wide variety of artists. Who could ask for more on a May Saturday?
I’ll say right up front that I only recently learned of the existence of the band Lettuce. The Mrs. actually discovered them first and played a track of theirs while we were in the car about a month ago, and I was knocked out by how great the song was. Fast forward 24 hours and I’ve got a dozen or so songs of theirs on my playlist, in heavy rotation! During the course of my digging into their repertoire, I discovered they’ve been around for over 20 years!! I was shocked to say the least. That a band could be so good and yet – as a dyed-in-the-wool music fiend – I had never even heard OF them, much less their music, was astounding to me. Frankly, I was embarrassed. But, better late than never!
As luck would have it, just a couple weeks after I learned that Lettuce existed, I found out they were playing two nights at The Fillmore in San Francisco, one of our favorite venues. Even luckier, after mentioning it in passing to the Mrs., she picked up a pair of tickets for us as a surprise!
The opening act of the night was a guy by the name of Keifer. We listened to a couple of his tunes before the show and thought, m’eh… We got there a little late and he and his band were already into it on stage. The first thing we hear when we walk in is the drummer breaking into a drum solo… Eye roll… I’ve been playing drums myself for 45+ years, and I pretty much hate drum solos. So we made our way over to the bar to grab a couple drinks before heading back onto the floor.
The band was comprised of keys, bass and drums. All clearly talented, but the music was a little bland. They finished the set however, bringing out the keyboardist and trumpet player from Lettuce to augment the band and that was a STONG finish!
Keifer and band
After a short intermission Lettuce hit the stage and BOOM! They were off and running. Now, I’m much too much of a newbie to their discography to know the names of their songs (and I’m terrible with song names anyway, especially in instrumental music!) but wow, they just grabbed the entire room right outta the gate! Heads were bobbin’, everyone was grooving, it was a GREAT vibe!
Lettuce gettin’ it on!
The band is a 6 piece unit – guitar, bass, drums, keys, saxophone and trumpet. The perfect combo for a funk outfit! And let me tell you, every single one of these guys was ON POINT! They were so locked in as a unit – and this is some pretty complex music – it was really something to see. It is just awesome to witness a group of musicians so in command of their instruments and yet simultaneously just flowing, like it’s second nature to them. It’s just not the same as seeing a symphony or a highly technical jazz or prog-rock act. When skill and soul unite, the outcome is nothing less than spectacular. I was beyond impressed, I was MESMERIZED! The icing on this delicious cake was their bassist. I don’t know his name or anything about him, but he was absolutely, positively stunning. His groove was so deep, and solid as a rock. He was slinky and gritty and funky and just straight up phenomenal. The kind of bass that’ll give you “stank face” it’s so damn groovy! What a delight!! I’ve played with dozens of bass players over the last 30+ years and out of those dozens I’d say 3 of them were spectacular. The bassist from Lettuce was every bit as good, if not better, than those 3. Really special.
Another aspect of the band that really caught my attention was that whenever there was a gap for a particular instrument, one of those players had some sort of percussion instrument in hand, filling up the sound. On the surface you might think how much difference can a tambourine or a shaker make? Well, it makes a BIG difference. All those little extra voices, those nearly imperceptible accent notes really just gave a glistening polish to an already stellar performance.
I can say with full confidence that I am officially a FAN of Lettuce! I have a lot of their material to absorb still, but I seriously dig what I’ve heard so far. It may have been my first show with them, but it certainly won’t be my last!
A big thank you to the bands and the crew that make these shows happen. And an extra big THANK YOU to the Mrs. for the great surprise!
Last night I had a fantastic experience and I’m still riding the “high”!
For the first time in literally decades, I got a chance to sit down with one of my oldest friends for a songwriting session, and it was like a spigot was turned on – the music just flowed like it hasn’t in years!
This was just what the doctor ordered, it’s been way too long since I was able to just create and I missed it even more than I realized.
In the matter of just a few short hours, we planted the seeds of 6 new songs right outta the gate. It was remarkable and thrilling to say the least.
Remember to feed your soul folks, it’s good for your health and your spirit!
The Boring Old Man 