Concert Review – The Boring Old Man

Concert Review: RUSH at SAP Center, San Jose, CA

This is a review I never thought I’d be writing. I had assumed, along with just about everyone, that with the passing of Neil “The Professor” Peart in 2020 that the days of RUSH on stage were over forever.

Imagine my surprise when I heard they were hitting the road again.

Now, I have seen RUSH 3 times prior to this engagement, and I considered myself fortunate to have been there, but I did not realize the last time I’d seen them I was saying goodbye, so to speak. I wasn’t ready for there to be no more RUSH.

And while I had always considered myself a fan of RUSH, taking into account what I’ve learned in the lead-up to this show, I may have to downgrade myself to merely an appreciator of the band. Their die-hard fans are so off the hook with their granular knowledge of the band and their music, I don’t think I qualify as a fan in this day and age. Nonetheless, I was very excited to see this new version of the band and to put a final bow of the present of RUSH’s live music experience.

I’ll admit right up front that I was skeptical when they announced Anika Nilles as Neil’s understudy. I was familiar with her work prior to RUSH, and while she’s extremely proficient and talented technically, I had my doubts as to whether she could fill the absurdly enormous shoes Neil left behind.

While I can’t really say Neil was a direct influence on my playing as a drummer, I am, and have always been, a great admirer of his. And I regard him with the utmost respect as a musician, a lyricist and simply as a man. He was not only wildly skilled on the technical side, he was also a very “musical” drummer – his drum parts were always so much more than simply a beat. And on top of all that, he was incredibly powerful. Not just loud, powerful. He played with an authority, a conviction that absolutely did influence me directly. And based on the interviews I’ve read over the years, and what everyone said about him after his passing, and in the recent documentary that was released about him, he just came off as the genuine article. A serious man, with a serious work ethic but also a great sense of wonder and a desire to learn. And a goofy sense of humor as the cherry on top. So like I said, massive shoes to fill for this young lady.

I did not honestly expect that I would be able to get tickets to this show, nor did I expect the Mrs. to be enthusiastic about attending, but much to my surprise, both items worked out better than anticipated. The Mrs. has seen them once before, and it was before she and I were an item, so tonight was her first show with RUSH in nearly 40 years!

The SAP Center, home of the San Jose Sharks hockey team is a pretty decent place to see shows. Generally speaking I try to avoid arenas and stadiums, but every now and again, you have no other choice. I’ve been to probably a dozen or so concerts and other events at SAP (though it’s changed names so many times since it was built, who knows what it was called for all the others… We locals refer to it as the Shark Tank. Not that I’ve ever seen a hockey game there. But I digress.) I’ve seen The Who, the Rolling Stones, Imagine Dragons, Parliament Funkadelic, Duran Duran, and RUSH there before (amongst others I can’t recall) so there was no mystery or anything new and exciting about the venue. The good points for me are that it’s close to home. And generally speaking it’s easy to find a parking spot, though what they charge for parking is borderline criminal. It is what it is.

The show’s start time was listed as 7:30pm, which honestly is awesome for us old geezers, especially on a school night. (If I haven’t mentioned it before, the Mrs. is a school teacher, this isn’t simply a turn of phrase!) But it didn’t exactly start on time, and they played a full set, took an intermission, and came back for another full set, followed by an encore! An early night was not in the cards!

Overall, the show was fantastic. The band played a bit of everything from throughout their career, but thankfully they seemed to lean heavily towards the classic RUSH era – 2112, Moving Pictures, A Farewell to Kings, Permanent Waves, Hemispheres… It was a great selection of music, and performed extremely well. Geddy and Alex both seemed to be having the time of their lives, and you would never guess both these guys are now in their mid-70’s by the sound and energy coming off the stage! Honestly, they played every bit as well last night as they did the first time I saw them back around ’87 or so. It was an inspiration!

The lighting and the artistic visuals were all top notch, not that I’d expect anything less from a RUSH show!

As for Anika on drums… She nailed it. Her playing was absolutely precise and you could see from the very first note, that she was completely locked in, 100% concentration. There was no room for fun, she was at work, and work she did! Was her performance as good as Neil? No. There is a difference when playing a part you personally brought forth from the Ether and playing a part you’ve memorized. She played everything nearly as close to note-for-note as any human could. It was dang near perfect. I could find no fault in her playing whatsoever. But despite that, it just wasn’t quite the same. Neil would add to the magic of what was on the records, Anika played what was on the records, pretty much exactly as they were recorded. Which is highly impressive, don’t get me wrong. Those are some of the most difficult drum parts ever conceived, and she executed them like an absolute, stone cold professional. She truly was great. But no, it’s not the same. It was however, better than I anticipated, and undoubtedly better than I could do in her shoes!

The one and only thing that besmirched the evening was the sound system. It was, if I may be so bold, atrocious. Seriously, the WORST sound I’ve ever experienced at a RUSH show. The first few songs or so were positively excruciating. They had the kick drum turned up so high in the mix that it felt like getting punched in the chest by a heavy-weight boxer with each and every bass drum note. Seriously, it was painful. The first 20 minutes felt like a physical assault. And to make matters worse, the drum mix overall was just lousy. There was good definition when she played the high pitched concert toms, but the moment she dropped to the lower pitches, it just turned into auditory mud. Which is a shame really, here she is, giving these ultra complex parts her all, and the audio guys are asleep at the wheel. There were other problems here and there when Geddy would swap to a new bass – one Fender Precision in particular just sounded god-awful. Not sure if the bass itself was having severe problems or if it was the Front of House mix, but it was in the Top 3 worst basses I’ve ever heard at a live show. Thank goodness he only played it on one song! And the overall muddiness had a tendency to swallow the guitar here and there.

But like I said, overall it was a great show. The Mrs. and I were very glad we went, we were very impressed with the playing, the energy and just the overall vibe of the show. In all likelihood, it will be the last RUSH show of my lifetime, and I’m perfectly OK with that. Nothing wrong with going out on a high note! I’m grateful that Alex and Geddy persevered and gave it another go-round. It was clear watching the crowd that this music means a great deal to a great many fans, and this show was a real cathartic experience for a lot of people. While I’m sure they both had some self-serving reasons for embarking on this tour, the impression for me was that this was a big Thank You gift to the throngs of fans they have all around the world, as well as a fond farewell and a celebration of The Professor. And I’m grateful that I could be part of it.

I don’t know how much longer the tour is continuing, but if you like RUSH even a little, it’s worth your while to check out what could possibly be the very last time they grace the stage!

Thanks for stopping by!

Concert Review: BEAT at the Quarry Amphitheatre, Santa Cruz, CA

Ok kids, this one was a show for the ages. I don’t even know where to start… I suppose a little background is in order, to explain my pre-conceived expectations and bias!

If you’ve never heard of BEAT, you’re not alone. And it was a curious choice of a name, considering we have The English Beat, aka The Beat AND The Paul Collins Beat, aka The Beat… and then along comes a Supergroup to end all supergroups, calling themselves BEAT. Whatever, they could have called themselves anything, and still outshine any 4 piece band on the planet.

BEAT is the brainchild(?) of guitar maestro Adrian Belew and bass virtuoso Tony Levin. As they describe it on their website BEAT is “a creative reinterpretation of the music of KING CRIMSON including the iconic albums, Discipline, Beat, and Three Of A Perfect Pair, and beyond.“

When I was a young’in coming up, I first heard King Crimson around 1982 and I was absolutely blown away. They were so completely weird, yet technical and futuristic that I couldn’t help but go bananas for them. At the time, I had NO idea of their pedigree, I didn’t know they’d already been around my entire life, I had no idea they had released half a dozen albums before I ever heard of them… I just thought they were another New Wave band and I was all in. (Remember, this was more than a decade before the interwebs, and being able to find out everything about anything with a couple mouse clicks…) Their drummer at the time, Bill Bruford, became a big influence on me and I was totally obsessed by Tony Levin on this new fangled instrument called the Chapman Stick. They were like aliens compared to the music that was on the radio in the day, and if you met somebody that was into King Crimson, you knew you had found one of your kind. They were undoubtedly NOT for everyone.

Long story short, I’ve gone down the King Crimson rabbit hole, discovered the many variations of the band and their music, the lineup changes, etc., and for me that Classic 80s lineup of Belew, Levin, Robert Fripp and Bill Bruford was the pinnacle of the group. But sadly, I was too young in this era to have seen them play live and figured that ship had sailed.

Then a couple years ago I found out about BEAT, a group put together by Adrian and Tony featuring Steve Vai in place of Robert Fripp and Danny Carey (from TOOL) on drums, playing my favorite generation of King Crimson music. Unfortunately when I found out about them, I couldn’t make the show. I don’t recall why, I’d either already missed them coming through my area or I didn’t have the scratch for the tickets or maybe had tickets to another show that same week…I don’t recall. Nonetheless, I was bummed. Again, I figured that ship had also sailed, it would be a one-off, and I’d missed my chance to see Adrian Belew, one of my “bucket list” artists.

But a few weeks ago, much to my joy and amazement, I heard they were making another round, only this time with my all time drumming hero, Terry Bozzio, on the drum throne! So this time, there was NO WAY I was missing the show!

I have seen Terry Bozzio play a few times and he’s mesmerizing. I also met him a number of years ago, and he was just a fantastic guy. And I couldn’t wait to see how one of my heroes interpreted the work of another one of my heroes, Mr. Bruford! I’ve seen Steve Vai live before and he too was out of this world. If anyone can fill in for the genius of Robert Fripp, Steve is the guy. And I once saw Tony Levin when he was playing bass for Peter Gabriel many moons ago, but the bass in Gabriel’s music is nowhere near as tantalizing as his work with King Crimson. And as I mentioned, Adrian Belew has been a bucket list artist for me for decades. Between his work with King Crimson, Frank Zappa, David Bowie, Talking Heads, Nine Inch Nails and The Bears, he’s been a favorite of mine as a guitarist for 4 decades. The very idea of these four together on stage gave me a level of fevered anticipation that I haven’t felt since I was a teenager just discovering live music.

The Quarry Amphitheatre is a new venue for me, despite being around some 50 years. Evidently they did a major renovation of the place in 2017 and started hosting rock shows there, but honestly I’d never heard of the place until this show came along. Located on the UC Santa Cruz campus, which is only about 20 miles from home. It’s been dubbed “Red Rocks in the Redwoods”, but since I’ve never had the pleasure of attending a show at Red Rocks, I can’t compare it myself. (A Red Rocks show is another Bucket List item for me though!).

The venue was cool. Parking was a bit of a walk, but I’ve had worse. (Looking at you, Shoreline Amphitheatre!). But the staff was pretty easy going and once I found the entrance, it was a breeze. Nothing but Porta Potties though, so the ladies might be less than thrilled. But generally speaking, not too shabby. It’s definitely got a vibe to it. Kinda like the Greek Theater at UC Berkeley, but more natural and a bit smaller.

A beautiful venue on a beautiful Fall night.

No opening band tonight, it was straight to business. And let’s be honest, who could open for this collection of living legends?!?

The band came on stage (promptly at 8pm, like true professionals) and right off the bat, they were firing on all cylinders. To be honest, it was a little overwhelming. So many awesome things happening at once, it was hard to decide where to look! Adrian, Tony and Steve were all in suits, like the old days, and they just ripped out one barn burner after another for about 25 minutes straight. And Terry? My goodness. I haven’t seen him play with such power and intensity since I last saw him play with Missing Persons. It was, to put it mildly, awesome.

They slowed things down at the 25 minute mark, with a newly written song, performed for the first time evidently. Then into an unhinged instrumental section , that started with what sounded like sound effects from an old Sci-Fi movie – played on guitar, mind you which somehow turned into a wild, syncopated guitar jam that I simply don’t have the vocabulary to describe. And then at the 48 minute mark, they broke for an intermission. Thank goodness for that, my brain needed some time to catch up with what it has just witnessed. It’s times like this I wish I were a better writer, as I have no words…

After the intermission they came back for another hour of non-stop, master class level virtuosity that was mind boggling. They played a selection of classics, some improvisational instrumentals and next to last, played my absolute favorite King Crimson song Elephant Talk. And then an encore on top of everything else. What a night! I’ve now seen things I can’t even describe. I’ve heard sounds from guitars that have no business coming from a guitar. I’m flabbergasted. Awestruck. Bewildered. And I couldn’t be happier.

Upright bass, electric bass, Chapman Stick and Synthesizer, Tony covered a LOT of ground

I started seeing “real” bands play shows at the ripe old age of 14, and in the years between then and now, I estimate I’ve seen between 450-500 concerts, from small clubs to massive arenas and I can say without hesitation that from a strictly musical standpoint, tonight was the best concert I’ve ever witnessed. It wasn’t flashy, there wasn’t some crazy light show, no video screens, no pyrotechnics. Just pure mastery from each and every musician on stage. It was a night I’ll not soon forget. As it turns out, tonight was the very first night of the tour, which means not only will it continue to get better (which I can’t really even fathom) but it means you still have a chance to see them! They are on the road through December 3rd, traveling Coast-to-Coast. If you love music, if you appreciate true mastery of instruments at the highest level, you owe it to yourself to see BEAT. Let’s face it, these guys are no Spring Chickens – Steve Vai is the youngest of the group and he’s eligible to collect Social Security benefits! These guys won’t be around forever, and while I’m not gonna say there are no up-and-comers that may be great players, there is nobody that matches the caliber of these guys when they are together in a group. It’s literally a once in a lifetime experience.

Mr. Belew, Mr. Levin, Mr. Vai and last but certainly not least Mr. Bozzio, THANK YOU for an absolutely unforgettable night of auditory magic. It was beyond delightful and a dream come true for this music lover.

And to my readers, thanks for stopping by!

Concert Review: Dogstar at the Fillmore Auditorium, San Francisco, CA

Here we go again folks, Dogstar is back in town, roughly 4 months into their All In Now tour, which has taken them across the U.S.A., over to Europe for weeks on end, then back across the States once again.

This is maybe the 7th Concert Review of Dogstar on this blog, and I don’t know at this point how many times I have seen them. Maybe 30? It’s hard to say… And no, I’m not some middle-aged fan boy of Keanu – though he is a delightful gentleman – no, in fact every single show I’ve been to is because of Bret, their guitarist/vocalist. Bret and I go back 40+ years. We played our first gigs together at school events and house parties. We wrote our first songs together. We played our first night club shows together. Our first time in a recording studio was together, the first time our song got played on the radio… He was my Best Man when I got married nearly 35 years ago, his family is like my own. He’s the closest thing I’ve ever had to a brother. And I couldn’t be more proud of him. He’s come a long way and worked his hind end off to achieve the level of musicianship he’s reached.

So yes, every single time I have an opportunity to see him and his band, I’ll be there. And now you all get to hear about it too!

The opening band was The Backfires, whom I’d never heard of before today. Because it was a show up in the city and I had to work today, I didn’t get there until their set was almost finished. I heard one song as I was coming into the venue and actually got to see them perform the last song of the set. But that was it. I can’t really say much about them other than their lead guitarist seemed pretty darn good. I wish I’d been able to see a little more of them.

Dogstar put up a solid set, pulled from their most recent album and their last. They definitely seemed tighter as a band after all these months on the road and knocked out a good hour-plus before coming back for an encore. I still think they should pull out some of the tunes from their earlier albums – Our Little Visionary has some absolute bangers that deserve to be played live, but for whatever reason they’re just sticking with the Dogstar v2.0 repertoire. One really pleasant surprise was them whipping out “Can’t Hardly Wait” by The Replacements during their set. They did an excellent cover of that song and for me personally, it brought back some great memories. The Replacements were a big influence on Bret and I when we were coming up and it was a touching homage to some wonderful days gone by…

Keanu played great, and honestly I expected no less of him. I know he takes his instrument seriously, and it shows. A lot of people were there just to “see” him, and it’s a shame, cuz he’s actually a fine musician that deserves an audience’s ears more than their eyes.

Rob did his thing on the drums. I try not to say much about him, as I’m afraid it’ll come off as petty. I can’t help but hear Bret’s songs with what I would play behind them, and that’s not fair. Rob does what he does and I do what I do, and they’re simply different. He held it down, and that’s what works for Dogstar.

Bret was in fine form. The tour has certainly pushed his abilities and he’s just getting better all the time. His voice sounded great, which honestly was a bit of a surprise, I half expected him to be worn out a bit after dozens and dozens of shows for months on end, but his voice sounded really strong. And his guitar playing was absolutely on point all night. Great tone, great solos, just all around impressive. And I could tell it meant a great deal to him to be back at The Fillmore, “hometown” shows are always just a bit extra.

So once again I’d say it was a great show. Am I biased? Undoubtedly. But they are a seasoned band. They’ve been putting in the work, and it shows. This ain’t no vanity project, this is the real deal and Dogstar puts out good, solid rock and roll as good as anybody out there on the road today.

They’ve still got maybe 10 or so shows left on this tour, if you have the opportunity, go check them out. If you like tasty guitar and thumping bass, you will not be disappointed! And if you happen to meet any of the guys, tell them the Boring Old Man sent ya!

Thanks for stopping by!

Concert Review: Aneesa Strings at Yoshi’s, Oakland CA

Tonight was something special. And unexpected…

The Mrs. introduced me to Aneesa Strings some time ago, and I thought she was cool – I mean, who doesn’t dig a woman with an upright bass and a great voice? But honestly, it didn’t exactly knock me out. Not in the way that I’d actively seek out her music, it was just a little too much on the tame side for my tastes.

So when she told me Aneesa was coming to town and she wanted to go see her, I figured, m’eh, why not? It was a Friday night show at Yoshi’s, a club we’ve been to many times and despite being located in Oakland, it’s a spot we really, really like.

We decided to make a night of it and made reservations at the restaurant that’s attached to the club – or is it the club that is attached to the restaurant? Anyhow, we’d always wanted to try the food there – a Japanese -Fusion menu – but every time we’d been there in the past we were running up there after work and never had time to make it to dinner before the show. But this time around it was a late show, we’d made reservations at 7:45, and figured we’d have just enough time to eat before her set.

Let me tell you, we were FOOLS for not eating there in the past! Goodness me, the food was absolutely spectacular! I won’t go into all the details as I’m not a “foodie” and this is a concert review, but I will say I had a pork chop that was hands down the best pork chop I’ve ever eaten in my entire life. And I’m no stranger to pork chops… But seriously, everything we had was delicious and the pork chop was out of this world. I’d eat another one right now if I could!!

Aneesa was accompanied by a drummer, keyboard player and a guitar player, a relatively standard jazz band setup. The show started off a little slow frankly, and after the first song I was thinking to myself “I might be a little too tired to sit through an hour of this“, but very quickly things started to heat up.

I’m not gonna pretend to know what songs she played, old or new, I’m not at all familiar with her catalog of work. What I will say though, is that she was a phenomenal artist. Her voice was smooth as glass – at times – and sometimes gritty, when it was called for. Her bass playing was absolutely on point, it was plainly obvious that she and the upright bass were dear old friends. And midway through the set, she switched it up and picked up an electric fretless Fender Jazz bass, and that’s when things really started cookin’!

One particular highlight was her rendition of Sade’s Ordinary Love, which is a song I (and millions of others) love. I have never heard anyone cover Sade and sound good. Never, that is, until Aneesa. She not only did the song justice, she put just enough of a twist on it to make it her own and I was completely taken in by her version. To be able to hold down that impeccable bass groove – if you know you know – AND sing that song, with that depth of soul, beauty and conviction is beyond impressive.

And speaking of impressive, her band was on fire! We were seated about 8 feet from the drummer, who was right up at the front of the stage, and I was able to see every stroke, every kick drum beat, and as a somewhat snobby drummer myself, I just gotta say WOW. He was so fluid and yet solid as a rock. He played so many parts that straight up surprised me, and yet fit the songs perfectly. That’s how I judge a drummer; if I can predict what they’re gonna play before they play it? M’eh. But this guy took all kinds of turns I never expected, while staying completely in the pocket and just grooving. It was very inspiring. Her guitarist was very much in the background, both literally and musically, but he too was great. I don’t know a lot of jazz players, but his playing reminded me of Larry Carlton. Not at all overbearing, just the right amount of spice to compliment the flavor of the songs. Same with the keys, he took a few solos letting us know he had some chops, but for the most part he played in a supporting role, filling in the overall sound. But as an ensemble, she couldn’t have asked for a better band. They played flawlessly – to my ears anyway – never overshadowed the primary artist, and just helped weave a beautiful, sonic tapestry.

Then for the cherry on top, she finished the show with what was perhaps the most unbelievable “mash-up” I’ve ever witnessed as her encore. She launched into a slightly down tempo, gritty, funky version of Come Together by the Beatles, which wove its way into Blackstreet’s No Diggity, incorporated a few bars from a Biggie Smalls track (I don’t recall the particular song title, but it was immediately recognizable) and back to the Beatles. Now, I’m not really a fan of the Beatles, and I’m absolutely not a fan of Blackstreet nor partial to Biggie, but I gotta admit, the musical acrobatics, the sleekness of which they melded the three songs into one, was certainly one of the most memorable moments I’ve seen on stage in a long time. It was a stellar end to an incredible show.

All things considered, I couldn’t have enjoyed the night more. Excellent food, a great vibe and amazing artistry.

Thank you Aneesa for a night full of “WOW!”, and props to your band for playing their hearts out. I’ve seen literally hundreds of shows over the last 40+ years, and last night’s show at Yoshi’s is gonna live in my personal Hall of Fame! It just goes to show, sometimes when you step outside your comfort zone and open your mind and your ears, you get to witness magic. And last night was absolutely magical for myself and the Mrs!

Thanks for stopping by!

Concert Review: Public Image Limited at The Rio Theater, Santa Cruz, CA

This one was a long time coming folks. As a youth, a tender Freshman in High School, I was introduced to the Sex Pistols and it was one of those musical events that absolutely changed my life. I had already been turned onto College Radio by that time, but the Pistols’ Never Mind the Bollocks album was unlike anything I’d ever heard in my life and I was forever changed.

Unfortunately for me, the year was 1982 and the Pistols had already imploded and were no more…

A year later I came into possession of a book titled The British Invasion: From the First Wave to the New Wave by Nicholas Schaffer (thanks Dad!) and it was there that I discovered Johnny Rotten of Sex Pistols fame had shed his Rotten moniker, gone back to his given name of John Lydon and started a new band by the name of Public Image Limited. Naturally, I was thrilled, and I set out to find their records. Ha!

Now keep in mind, this was way before the interwebs. The days of record stores like Music Land and Rainbow records and of course Tower Records. And we also had a great used record store in town in an old converted house called Streetlight Records that specialized in punk and New Wave records, European imports and the like, and it STILL took me TWO YEARS to get my hands on the Public Image Limited debut record!

And let me tell you, it was NOT what I expected! Nonetheless, I took my time absorbing it and came to appreciate it in a totally different way than the Pistols’ album.

Over the years I was there for every subsequent album release, and I grew to love the “band” – really a constantly revolving cast of characters – including Steve Vai at one point – with Mr. Lydon at the helm. And the records just kept getting better and better over the years.

But, for whatever reason, I was never able to see them on stage. So they became one of those bucket list bands for me and honestly I never thought I’d get the opportunity as Mr. Lydon hit 70 years old this year and subsequently just went through the passing of his long time wife Nora. The odds seemed insurmountable.

But much to my surprise I caught wind of a new tour coming this year and the minute I confirmed it was true I snatched up tickets. And here I am!

The Rio Theater was a new venue for me, not only my first visit, but the first I’d even heard of it! Which is weird considering I live only about 20 miles from Santa Cruz and come over the hill all the time… But it’s a cool venue, an old converted movie theater, which still has a bunch of seats, for which my old, worn out knees were grateful! The staff was super friendly – generally a given in Santa Cruz, but nice nonetheless. The crowd was a good mix – LOTS of old heads like myself, but a smattering of many generations altogether. Lots of Doc Martens, lots of old punk band T- shirts…my kinda people! Then again, most of the crowd was surprisingly “normal” looking. I suppose growing up in the 70s and 80s in the punk scene, if we’ve made it this far, we’ve got nothing else to prove and can leave the leather jackets at home.

The opening band was Plague Vendor from LA. They are kind of throwback punk band, with a bit of a modernized sound. Not really my thing, but I would have loved them when I was 16… What I will say though is their guitarist was great. He was ripping it up on a hollow body guitar through a tube amp, so for me he automatically gets bonus points! And their frontman was really giving it his all. He was a bit of Iggy Pop mixed with Lux Interior from the Cramps, with the occasional James Brown dance moves thrown in for good measure. He was definitely there to put on a good show for the audience. So, overall, I’d say they were pretty good for what they were, it just wasn’t my kinda jam.

The stars of their band. Not to diminish the rhythm section, but these two were blazing!

When it came to the main event I wasn’t sure what to expect. I figured it would be awesome or a train wreck quite honestly.

Well, the jury is in, and let me tell you they were AWESOME! The band was really sparse – guitar, bass and drums (though both the guitarist and bassist played some keyboards here and there), and they just killed it! They played songs from every era, even pulling out World Destruction, the dance club staple that John did with Afrika Bambaattaa back in the late 80s, and it was absolutely fantastic. Honestly, I had kinda forgotten just how deep their discography goes. They covered a lot of ground and didn’t miss a beat the entire time. That band was on fire! They played a number of their “hits” (LOL) and some deep cuts and just really wowed me quite honestly.

I wish I knew who this guy is, he was AMAZING!

Then John did something I’ve NEVER seen in a live show – he told us he was going to take a smoke break! “Gimme three minutes, and I’ll be right back” he said! He even flashed a pack of Marlboro Reds, just so we’d know he was serious. Only in California!

After the smoke break the band came back on, he thanked the audience for their patience, then promptly tore into the song Public Image. What a re-entry! Truly it was their encore, but it was different, I’ll tell ya that!

If I’m being completely honest, there were a number of songs I was hoping they’d play that they didn’t. But overall I really couldn’t have asked for more. They absolutely surpassed any expectations I might have had going in and I left on the kind of musical “high” that frankly is a bit rare these days.

And I not only got to discover a new venue but I got to cross a band off my bucket list that frankly I never thought I’d have the chance to see. An absolute win for the Boring Old Man!

Thank you Mr. Lydon and much thanks to your stellar band, I took me well over 40 years to see you, but it was undoubtedly worth the wait! I wish you continued success on the rest of your tour.

And to my readers, thank you for stopping by!

Concert Review: Cold War Kids and Young the Giant, Greek Theater, Berkeley CA

It just wouldn’t be Summer without a show at the Greek Theater. I went to my first show there (The Truth, The Hooters and Squeeze) around 1985, and it’s been a favorite venue of mine ever since.

Berkeley on the other hand, I’m not a big fan of, but I digress…

This show was courtesy of the Mrs and our daughter, who got the tickets as my birthday present back in early June, so the anticipation had grown for some time. We’d seen Young the Giant before, but despite being fans since their first record, had never had the chance to see Cold War Kids.

And as it turned out, this show was a triple bill, so we were in for a surprise. Listed on the bill was Kenny Hoopla as the opening act, but Kenny was MIA – in his (their?) place, we had a band by the name of Beach Weather open the show.

An ironic side note, earlier in the day we had gone to the beach in Half Moon Bay, and it was decidedly*NOT* beach weather – cloudy as far as the eye could see and a little chilly…

I knew of a couple songs by Beach Weather, just in passing. I didn’t even actually know the name of the band before the show, I just recognized a few tunes when they played them. And I will say, they were a pretty good band. Nothing earth shattering, but a solid, tight “alternative” band with some catchy tunes. The highlight of their show, for me, was the lead guitarist. He played some really unexpected parts, that fit just right, and he was frankly just fun to watch. All in all, it was a good set that left me wanting to dig into their discography.

Cold War Kids were next up, and boy did they deliver!! I can remember hearing their first single on the radio, nearly 20 years ago, and being totally knocked out by it. So much so I took the leap of faith and bought the CD (Robbers & Cowards) for the one song. And I was so glad I did! That record is really a masterpiece. If you’re not familiar with this band, look them up. They are special. I don’t know how to describe their sound, as nobody really sounds anything like them. The best I can come up with, is if Talking Heads decided to play Americana music, you’d wind up with Cold War Kids… Or something along those lines. Great songwriting, excellent musicians and a very distinctive voice. Really an exceptional band. And like I said, in the live setting they really delivered! They played a little bit of everything from across their catalog, and the entire band was on point. Quite honestly, it was much better than I had dared hope for. Absolutely a highlight of my 2026 concert run thus far!

The headliner of the night was Young the Giant. As I mentioned, we’d seen them before and I had really enjoyed them, much more than I thought I would, actually. They were another one of those bands that I knew a lot more of their songs than I realized. I guess they were somewhat low-key alt-rock superstars. We’d gone to that show for the opening band, but we were pleasantly surprised by Young the Giant, and they wound up on my heavy rotation playlist for quite some time afterwards.

Unfortunately, their show this time around was a little underwhelming. Not to say it was bad, it just wasn’t as good as the last time. The sound wasn’t quite as crisp for starters. Their vocalist spent an inordinate amount of time yapping between songs, which in my not-so-humble opinion brings down the energy of the show. Their drummer seemed neutered -for lack of a better phrase – this time around. And to be honest, their newer material just doesn’t hit me the same way the music from their first few records does.

All that being said, it wasn’t bad. It just wasn’t great. Musically, all the guys were playing well. Visually, the lights and the stage setup were great. All the elements were there. But for all the sparks, the fire just smoldered and never really built into a burner. That being the case, we decided to call it early and left before the encore… I’d certainly go see them again, but I’m not exactly going to seek them out.

All things considered, it was a fantastic night. The Greek Theater is a spectacular venue, we heard a LOT of great songs played by a lot of great musicians and even if YtG had an off night, they still put on a show, it wasn’t a matter of them phoning it in. And yes, Cold War Kids rocked the joint and delivered an outstanding set that left a huge smile plastered across my face. That set alone made our trip to the East Bay well worth the effort. I sincerely hope I get a chance to see them again!

Thanks for stopping by!

Concert Review: RJD2 at the Felton Music Hall, Felton,CA

Well folks, last night was an eye opening experience. My entire perception of an entire genre has been turned upside down.

As my repeat readers may have picked up on, I like my music played by musicians on actual instruments. Lately I’ve had a growing disdain for the trend of using backing tracks and other electro-wizardry to fill the sound on stage. Nothing brings joy to my ears more than an electric guitar channeling through a piping hot tube amp (if you know, you know) and digital music kinda leaves me flat.

And don’t even get me started on the whole DJ as Performer thing. I’ve seen few on stage, and every single one of them has been as exciting as watching paint dry. Seriously, watching somebody play records and twiddle knobs? That’s got to be one of the dumbest trends in music ever.

Quite frankly, that’s what I thought I was walking into last night. This show was picked by the Mrs., and I knew a few songs by the artist, but I didn’t have any expectations that I would enjoy the show.

And after the opening act, my preconceived notions were reinforced. I never caught his name. I’ll stand by the ol’ if you’ve got nothing nice to say, don’t say anything and leave it at that.

But then the main act – RJD2- came out. Right off the bat, I knew something was different just by the gear set up he was using. I’m not going to pretend to know what all he was using up there, but it was definitely not your standard two turntables and a microphone setup. He had two sampler pads in addition to the turntable setup and who knows what else, and he played all those things with all the passion and precision of a master musician. It was extraordinary. Honestly, I’ve never seen anything like it.

His compositions were extremely complex and deeply layered. His choice of instrumentation was unique compared to his contemporaries in the genre. He somehow took bits and bytes, loops from all directions, and threw it into his digital blender to make it come alive. It was almost as if every finger was its own musician, with his brain as Conductor. It was astonishing. To put it mildly, I was shook.

I really don’t even know what else to say. I don’t know enough about the genre to make comparisons. I don’t know the HOW of it all, what sort of musical sorcery he conjured to make it happen. All I know, is I really, REALLY enjoyed it. And I’m open minded enough to admit, I’ve been wrong to cast such a wide net of derision over an entire genre.

So, big thanks to RJD2 for an amazing night and the eye and ear opening experience. I was unexpectedly surprised and quite delighted with his entire set.

Thanks for stopping by!

Concert Review: Magic City Hippies at Felton Music Hall, Felton, CA.

It’s been a minute since our last live music excursion and I’d been sitting on these tickets since October, but finally Monday was the day. And what better way to break the slump than with my favorite live band, Magic City Hippies?

This was our first time at Felton Music Hall, though we’ve driven past it for years, and we’d be happy to go back. Felton is a great little town in the Santa Cruz mountains and I’ll take any excuse to go there! Felton Music Hall is a very cool venue – easy access, nice staff, eclectic patrons and surprisingly great sound. It’s small for a “Hall”, maybe 250 max capacity, but places like that are my absolute favorites for live shows.

The opening band was Supertaste from Brooklyn, NY. I’d only heard one track of theirs previous to the gig and honestly had low expectations, but they were a pretty solid unit. Clearly some guys with some talent and technical skills on their instruments. Overall their sound doesn’t really hit the sweet spot for me, but two of their songs – Power and Supernova – really grabbed me. If you are into dance music made with actual musicians rather than computers and DJs, you can do far worse than giving Supertaste a listen.

For the main event, Magic City Hippies were in OUTSTANDING form. This show was, I believe, the 11th Hippies show I’ve been to and honestly they just keep getting better. I know I haven’t seen everyone, but I’ve been to more than my fair share of live music events and for my money, Magic City Hippies are simply the best live band out there right now. They’ve been touring consistently for a long time now, and it shows. They’re like a well oiled machine, but not in the sense that it is predictable or something. They have a deep catalog by this point to pull from and of course some crowd favorites, but they always seem to change up the arrangements just enough that it always feels fresh. It really is a testament to a solid combination of talent and hard work.

Magic City Hippies lighting up the stage

I really can’t say enough about how good these guys are and at the same time I feel like a broken record because I’ve reviewed them (and gushed over them) many times before on this blog.

So I’ll just leave it at that. Catalog the show for my own records and simply say if you love live music, you owe it to yourself to go see Magic City Hippies. Your ears and your soul will thank you!

Thanks for stopping by!

Concert Review: BALTHVS at The Catalyst, Santa Cruz, CA

I first discovered Balthvs in July of 2024 and was immediately hooked. So much so, that when Spotify sent me my “Year in Review” for 2024, Balthvs was my number one most-listened-to artist of the year and my Top 10 songs included 5 of theirs! And I’d only known of them for 5 months at the time.

Now, I love a lot of newer bands. I’m not none of those crotchety old coots that proclaims all new music is garbage and gets stuck on an ever-repeating playlist from my high school days. But it has been years, decades maybe since a band just completely turned my head inside out with their music. I’ve been telling anyone that would listen that they are the best band out there right now, insofar as their creativity, their musicianship and their unique sound and compositions.

At it turned out, the band – which hails from Bogota, Colombia – happened to be playing in my area about a week after I discovered them, but I had other commitments and couldn’t attend. Then a short while ago they were back in Menlo Park, CA but at the time I didn’t have two nickles to rub together and could not afford the tickets, so I missed them again. Then much to my surprise and delight I learned this past Tuesday that they were playing in Santa Cruz Thursday night! At the Catalyst no less, one of my favorite clubs EVER!

Being a “school night”, I couldn’t get the Mrs. to attend, but she encouraged me to go solo and boy am I glad I did!!

My fascination with Balthvs is primarily due to their guitarist, Balthazar Aguirre. I’m telling you right now, this young man is a legend in the making. The band is often labeled as a “psychedelic funk trio”, but that only (barely) scratches the surface. Balthazar plays everything, every genre you can imagine, magically intertwined to create something altogether unique. His playing is like water. It flows, it bubbles, it swirls, it rushes, occasionally it erupts! I’ve never seen or heard anyone like him. His playing is absolutely enthralling. And his tone, the actual sound of his guitar, is positively gorgeous. Just amazing. Seeing him play live, I felt like it was one of those moments you hear old geezers talking about – “I saw Jimi Hendrix back in 68” or seeing Stevie Ray Vaughn in some smokey bar before he hit it big. This wasn’t just a concert, a run of the mill club show, this was an EXPERIENCE. There are a handful of guitarists out there that you know who it is immediately when you hear them play, whether you recognize the song or not…Eddie Van Halen, Steve Vai, Adrian Belew, Stevie Ray, David Glimour… Balthazar is in that class. Seriously. All its gonna take is one song to crack the shell, and the whole world will know this man. He is an exceptional talent. A vessel. One of those guys where it’s hard to tell where the man ends and the instrument begins, as they seem to be one in the same…

Yep, my camera still sucks. Balthazar Aguirre, a legend in the making!!

And for all the fan-boying I’m doing about the guitarist, let me tell you the rhythm section was pure fire! To be perfectly honest, I never paid much attention to the drums and bass while listening to their records. Sure, it was groovy and tasteful, but also pretty subdued on record, where the guitar certainly takes center stage. But live? WOW!!

Drummer Santiago Lizcano was a machine! He is not some off-the-shelf drum basher, just keeping a beat. There is absolute mastery of his instrument as well. Tight, solid grooves, killer rudiment-laden fills and percussive elements, and his flow from one style to the next was seamless and frankly, very impressive. I was honestly blown away but how good he was and astonished that I hadn’t picked up on his immense talent from the records. I have an entirely new perspective on his playing and a newly found deep respect for his talent!

Founding member and bassist Johanna is currently off the road on maternity leave, and her spot was filled by Vanessa Cejuo who was spectacular. She was so solid, so groovy and she kept throwing in just dashes of spice – not playing everything by the book – but adding just enough ‘extra’ without being flashy or trying to stand out. It was really impressive bass playing, just locked in and holding it all together. Exceptionally tasteful. Bathvs found a PERFECT fill in for Johanna. As someone that has struggled finding competent bassists for the past 40+ years, this too was an amazing feat!!

Their set was amazing, from start to finish. They played about an hour and ten minutes, playing all my favorite songs of theirs, a couple I hadn’t yet heard and even a cover of Pink Floyd’s “Breathe”, which was both a bold choice and wonderfully executed.

Then they came back for a 20+ minute encore, which included a rendition of Pipeline, the classic surf rock tune by the Chantays. Very apropos for Santa Cruz!

What can I say? I went in a fan of Balthvs and walked out a super fan! I’m so glad I went, it was the best show I’ve seen in years. I’m not kidding when I say Balthazar Aguirre is a legendary guitarist, he’s just not being recognized for it. Yet. It was a magical night and even though I’m facing a 10 hour work day on 5 hours of sleep, I have ZERO regrets about making the trip over the hill to see them. I hope it’s the first of MANY Balthvs shows for the Boring Old Man!

Do yourself a favor and go listen to Balthvs. If you have ears that work, you’ll find something to love about them!

Thanks for stopping by!

Concert Review: Better Than Ezra at the Guild Theater, Menlo Park, CA

Sorry, I’m a few days late with this one, but better late than never I suppose…

Last Thursday, December 5th, the Mrs. and I attended a LONG awaited show with Better Than Ezra. If you don’t know this band, you should.

We last saw Better Than Ezra sometime in the mid-00’s, I apologize my memory is a little fuzzy, let’s just say 2005. They absolutely KNOCKED OUR SOCKS OFF! So needless to say, as soon as I heard they were coming to town, I snatched up some tickets.

This is maybe the 5th or so visit to the Guild Theater, and as I’ve mentioned in other Concert Review posts, it’s a great place for music and I was happy to be going back again.

The opening band was Cool Water Canyon, whom we’d never heard of. 5 piece band – drums, bass, keys and 2 guitars, and several of the guys sang. The sound was a bit of Americana meets Jam-band, with a little dash of funkiness tossed in for some seasoning. It was a mixed bag if I’m being honest. They were clearly talented musicians, but it just didn’t do it for me. There were some great parts, but then they’d throw in a gruelingly long solo and just kill the flow… They had really nice, top of the line gear but nobody had a particularly great tone. Honestly sometimes that’s enough for me – “the songs were OK, but man that guitar sounded awesome!” is the kind of thing that can win me over. Not so with these guys unfortunately. Overall, I’d give them an A on musical skill, but a C- on the show as a whole. I’ll give props to the bassist though, he was absolutely the bright spot of the set for me. Not flashy or over the top, but solid as a rock from start to finish.

Better Than Ezra then took the stage and…it went down hill from there.

For some reason, who knows why, they ALL played acoustic instruments. Yes, electrified acoustics, but the sound, the tone, was of acoustic guitars and bass. There was NONE of the power that made this band so great.

I tried, I really tried to just get over it and enjoy it for what it was but I just felt it was missing something. Then they started playing “I Wanna Be Sedated”, the Ramones scorcher, on FREAKIN’ acoustics and I started thinking “this is bad…”. Thank goodness they didn’t play the whole song, just a verse and a chorus and then they transitioned into one of their songs. But it left a bad aftertaste in my ears, I’ll tell.you that.

A few songs later they did ANOTHER cover this time of Harvey Danger’s “Flagpole Sitta”, again on acoustics and that’s when the Mrs. and I looked at each other and said “let’s go”.

Better Than Ezra, we still love your records and look back fondly and the last last time we saw you, but the show at the Guild was not the business. Very, sadly, disappointing.

Better luck next time.

And to think, I grabbed these tickets instead of John 5, who was playing the very next night. D’oh!!

Thanks for stopping by!